The rose ola gjeilo lyrics
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The classic Vincent Youman song " Without a Song" has delighted audiences for decades and has been recorded by artists of every genre. Don't miss this one! Kirby Shaw presents a lush a cappella arrangement of " The Rose" the beautiful song made popular by Bette Midler in the film of the same name. Kirby Shaw uses his exceptional arranging skill to bring us this very special arrangement.
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This wonderful ballad " Through the Eyes of Love " lives on and has been recorded by artists the world over.
#The rose ola gjeilo lyrics movie#
Kirby Shaw's tradition for creating exceptional a cappella ballads continues with this wonderful arrangement of the Gershwin classic "Embraceable You." Showcase your singers with this very special arrangement! The 1978 movie Ice Castles featured a musical score by Marvin Hamlisch and lyrics by Carole Bayer Sager. Songlist: The Love Rapture, Death's Final Conquest, The Rose, The Poor Soul Sat Sighing, Thyrsis, When He Left Me, Hark, The Lark, Susanna And The Two Elders, Long May Live My Lovely Hetty, Lady Anne Bothwell's Lament, Ring Out Ye Crystal Spheres, The Nightingale, Take, O Take Those Lips Away, Slow, Slow, Fresh Fount, O Poesy, Here In Cool Grot, Hail! Hallow'd Fane!, Elegy For Cymbeline, Poor Barbara, Merrily Push Round The Glass, Ring Out Ye Crystal Spheres, Under The Greenwood Tree, Hail! Smiling Mourn, Doubt Thou The Stars Are Fire, Ye Spotted Snakes, When From The Skies Divine Cecilia Came, Divine Cecilia Voicing: SATB | 9000b | Songbook | $24.95 | Primarily a cappella This fine new volume is an essential addition to the choral repertory, and is uniform with the other indispensable Oxford classic choral collections: English Romantic Partsongs, The Oxford Book of English Madrigals, The Oxford Book of French Chansons, The Oxford Book of Italian Madrigals, and The Catch Book. A unique feature of the form, and of this collection, is the high literary quality of the text and the high musical quality of the settings. Young has selected twenty-six settings, mainly in four parts but with examples in three and five parts, to show the breadth of the glee in its heyday. This new history of the glee begins with an introductory essay detailing the form's historical, musical, and social context. The form is descended from the madrigal, with texts chosen partly in reaction against the vulgarity of the catch. In the period between the deaths of Handel and Mendelssohn, the glee was the vehicle by which secular part-singing was carried in England. This lists any discs, concerts or collections where this piece is included.Percy M. The little soprano solos scattered around the piece are meant more as colorings, an obbligato, than a melodic focal point. I always recommend performing Tundra with the optional string quartet (or string ensemble) parts, but the piece was written with only choir and pianio in mind at first, so the string are more of an extra bonus, if conditions allow for it. I also had three voices on the solo soprano lines for the same reason, although I think a soloist could also speak above the choir in this tessitura. Otherwise, they easily become buried by the accompanying vocalise lines and the poem is lost. I moved singers around quite a bit to add body to the lines with text. This is a sweeping, almost atmospheric work on a poem by Charles A. There is an alternate accompaniment of string quartet or string ensemble, but I wanted what I felt would be a lighter, more transparent sound of the piano. Elektra performed it in its original form, SSAA with piano accompaniment. Tundra was commissioned by and dedicated to the ACDA Women’s R&S Commission Consortium, Debra Spurgeon, National Chair. It is easy to feel that you are treading on sacred land, which Tony so wonderfully expresses in his text.” Conductor Notes: The area is quite barren, and intensely beautiful. It’s pretty close to where my father grew up, a ski resort town called Gjeilo, in the mountains between Oslo and Bergen. I asked him to write a text based on the title, and some photos of a part of my native Norway that is very dear to me the Hardangervidda mountain plateau. Composer Gjeilo writes: “The lyrics for Tundra were written by Charles Anthony Silvestri, specifically for this work.